COURSE SYLLABUS
FILM 1103-3: Production Explorations
COURSE INFORMATION
Course
Time: 4:15-6:15 pm
Course
Location: The Film School, Room 105
INSTRUCTOR INFORMATION
Professor:
Kent Kirkpatrick
Office
Location: The Film School #201
Office
Hours: by appointment
Office
Phone: n/a
Other
Phone: (505) 660-1284 mobile
Email: kent.kirkpatrick@santafeuniversity.edu
TEXTBOOKS AND MATERIALS
❏
Your Canon T5i
❏
Blank notebook(s) and pens for in-class writing and
notes
❏
(optional) VOICE & VISION, Mick Hurbis-Cherrier
(Focal Press)
COURSE DESCRIPTION
This course covers the mechanics and aesthetics of
digital video production. Emphasis is given to the ways in which the techniques
of filmmaking, whether it be fiction or non-fiction, can be applied to tell a
story and propel narrative. This class explores and develops creative
expression, personal vision and critique skills through conceptualizing,
planning, shooting, editing and presenting short films in digital video.
This Production Explorations class will also
introduce students to expected core competencies that will be required when
working on a live film set (including knowledge of electrical, lighting, knots)
LEARNING OUTCOMES
·
Hands on experience in shooting short narrative
projects in digital video. The
basic use of video cameras, tripods, lighting, editing and sound recording. A
familiarization with the theory, practice and vocabulary of basic production
techniques in preparation for upper level production classes.
·
The ability to author work using scriptwriting
software.
·
The ability to perform basic digital editing,
empowering you to edit your own projects.
ADDITIONAL LEARNING
OBJECTIVES:
·
Hands on experience with essential set skills such as: knot
tying, cable wrapping, basic electrical, set etiquette as well as on-set safety
and set roles and professionalism.
·
Understanding the Three Act Story Structure for
conceiving, scripting, developing and planning any project.
·
Understanding that filmmaking is a team endeavor
and learning to work in concert with your fellow team members.
·
To develop your sense of professional discipline
by meeting deadlines for assignments in the course.
·
To develop confidence, professionalism and enthusiasm
in your ability to express your own creative vision and to communicate it with
an audience.
SUPPLIES:
·
TWO SDHC Class 10 or higher, 8GB (minimum
storage).
·
USB 3.0 DRIVE ( 16 GB Minimum)
· PORTABLE
HARD DRIVE Firewire (500 GB Minimum)
· (optional)
CIRCUMAURAL HEADPHONES
· (optional)
LEATHERMAN
· (optional)
LEATHER WORK GLOVES
GRADING
SCALE:
A 94-100 B
84-86 C
74-76 D
64-66
A- 90-93 B-
80-83 C-
70-73 D-
60-63
B+ 87-89 C+
77-79 D+ 67-69 F Below 60
A = Exceptional mastery of the subject studied.
B = Above-average mastery of the subject studied.
C = Completion of
all the required coursework with sufficient mastery.
D = Minimal completion of work with below average mastery.
In
the event that a student may have an overall grade average of F and fails the course, there is no
opportunity to make up course work or recourse to change grades once they are
filed with the registrar.
EVALUATION FOR GRADING:
Category Points
Attendance and Participation 40%
Class Assignments 10%
Film Projects 50%
ATTENDANCE/TARDINESS
100% class attendance is required and is
critically important to faculty and your peers. More than 1 unexcused absence
will adversely affect your grade and will typically trigger an Early Alert to
your academic advisor. More than 3 unexcused absences can result in failing the
course. Tardiness is unacceptable and will also result in a lowering of your
final grade. Bottom line: Attend every class in a timely manner. Attendance is
taken at the beginning of class. If you are not there during attendance, you will
be marked absent.
An excused absence means you are sick, in
court, or otherwise legitimately kept from coming to class. (I will need
documentation as proof.) In the case of an excused absence, you must contact me
prior to class and state the reason
for your absence. If you do not contact me, your absence will be considered
unexcused and your participation grade will be lowered.
If you are late to class you will be marked
as absent.
Come to class on time, prepared, and ready to
participate: This class is an interactive class and as part of the preparation
for a career in filmmaking, the student is expected to respect the “call time”,
be ready to participate in the day’s expectations, and be an active member of
the class.
ONLINE ACCESS TO ASSIGNMENTS AND HANDOUTS
I've set up the following website for
online access to our assignments, handouts, and other announcements: http://film1103-3.blogspot.com
ELECTRONIC DEVICES - USE IN CLASS
Cell phones and other personal communication
or entertainment devices are to be silenced or turned off, and not used or
displayed during the class period.
ACCOMMODATING SPECIAL NEEDS
In accordance with the Americans with
Disabilities Act, Santa Fe University of Art and Design makes every effort to
provide appropriate accommodations for students with documented disabilities.
Students may receive these accommodations if they contact their professor and
register with Laura Nunnelly, Director of Student Affairs, at 505-473-6176
(laura.nunnelly@santafeuniversity.edu).
ETHICS/ACADEMIC INTEGRITY
Students are expected to exhibit academic
honesty in the completion of all course assignments, exams, and activities.
Cheating, fabrication, and plagiarism will not be tolerated. Incidences of
academic dishonesty will be dealt with according to the Santa Fe University of
Art and Design policy on academic integrity.
EMERGENCY CLASS CANCELLATION
If an emergency arises in which class must be
cancelled, a note will be posted on the classroom door informing students of
the cancellation and related information. If a cancellation notice is not
posted, students are expected to remain in the classroom until dismissed by a
University representative. In the event of severe weather, students should
listen to local radio/television announcements for information AND check the
Santa Fe University website: www.santafeuniversity.edu.
If the University is open, students are expected to attend class.
A FEW PRACTICAL TIPS:
·
Schedule each step of your projects. Plan and manage your time carefully. It
will be critical to your success!
·
Communication. It’s much better to over
communicate than not communicate enough. Talk with me and with your fellow
classmates as you plan and execute these projects.
·
Know the regulations in the Film School Student
Redbook, including rules regarding safety, weapons, equipment, locations,
talent, copyright, etc. These are
very important!
·
ASK FOR HELP. (communication, again!) Filmmaking
is a collaborative art, and we all struggle with it from time to time. In this class, we can all help each
other. Talk to me and to others
about ideas, shoots, etc.
·
Make projects that are doable. Don’t try to fit a 20 minute film into
5 minutes.
·
Try a genre that scares you—take risks and try
something that challenges you.
·
Have a backup for your ideas, locations, actors,
equipment in case of problems with weather, location, gear, etc.
·
Be realistic about estimating your time—DON’T
PROCRASTINATE.
·
The Film
School at SFUAD logo MUST be on all final projects. See your professor to
obtain a clean, high resolution copy of the image.
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